Topic pop-corn et salle obscure

[Shû Shirakawa]

vus dernierement :
persepolis : très bien fait, à voir

Il faut que j'arrive à trouver le temps d'aller le voir.
Si tu peux détailler tes impressions, ça m'intéresse.

[Kretinou]

Sortez le pop-corn:

The invasion

The Mummy 3 (2008):
In the Far East, trouble-seeking father-and-son duo Rick (Brendan Fraser) and Alex O'Connell (Ford) unearth the mummy of the first Emperor of Qin (Jet Li) -- a shape-shifting entity who was cursed by a wizard (Michelle Yeoh) centuries ago.

The Bourne Ultimatum(Pas mal, comme d'hab')

[Kretinou]

Je suis pas fan de H.P. Lovecraft, mais le trailer (en haut à gauche) me donne vraiment envie.

http://www.cthulhuthemovie.com/

[Shitao]

Je suis pas fan de H.P. Lovecraft, mais le trailer (en haut à gauche) me donne vraiment envie.

http://www.cthulhuthemovie.com/

Mouais pas mal pas mal. Chelou quand même d'adapter la nouvelle à notre époque. Couillu en tout cas j'espère que ça va le faire. Je reste quand même un peu sceptique. Et sinon j'ai halluciné ou la blondasse du trailer c'est l'idiote de Beverly Hills?

Et sinon c'est pas les pop-corn qui faut sortir mais le champagne. Takashi Miike grille la priorité à Tarantino et réalise son p'tit Western spaghetti d'ailleurs selon imdb Tarantino aurait un rôle dedans)ENJOY:
http://latefilm.com/sukiyaki-western-django-trailer

Et juste pour info ca sera son 74ème film en 16 ans ahahah

[Kretinou]

Mouais pas mal pas mal. Chelou quand même d'adapter la nouvelle à notre époque. Couillu en tout cas j'espère que ça va le faire. Je reste quand même un peu sceptique. Et sinon j'ai halluciné ou la blondasse du trailer c'est l'idiote de Beverly Hills?

Hé ouais, faut bien une pute. Elle avait plus de fric, elle était d'accord pour se foutre à poil. La suite tu la connais.

[Shitao]

Quel gachis qu'en même ces acteurs de Beverly Hills. Ils ont vraiment trop pris cher de la gueule. L'autre fois j'ai vu je sais plus où Mr Brandon Walch dans je ne sais plus quelle série bidon... Et bien il est beau le gendre idéal... La drogue c'est d'la merde quand même.

[Kretinou]

Quelqu'un a déjà vu ça?






DEATH TRANCE is a stylish over-the-top action fantasy film starring Japan’s newest star Tak Sakaguchi of VERSUS and GODZILLA: FINAL WARS. Yuji Shimomura, best known for directing the fight sequences for VERSUS, makes his directorial debut! DEATH TRANCE also features Kentaro Seagal's first action movie debut (son of Steven Segal!)

In an unknown place and unknown time, a master Samurai known only by the name of Grave (Tak Sakaguchi) searches for the ultimate battle. Never showing fear for any fight, Grave is the one and only swordsman able tosteal the mysterious and legendary coffin from the holy Tougan Temple. In this world without reason, a young girl from the temple grounds follows Grave and the coffin wherever they may go.

And so begins the deadly race to re-capture the coffin and its hidden power from Grave for good or evil.

DEATH TRANCE embodies a mix of the modern Samurai movie with highly stylized post-apocalyptic MAD MAX cinematography. Filmed amongst the ancient ruins of rural Japan, DEATH TRANCE depicts non-stop battles between sword and gun, mortal & immortal, myth and reality within a stark desert and forbidden forest. In the end, will destruction win or hope prevail?
From Producer Yoshinori Chiba (THE NEIGHBOR NO. 13, Takashi Miike’s breakthrough film, FUDOH: THE NEW GENERATION, Keita Amemiya’s ZEIRAM and the popular EKO EKO AZARAK series).

Alright, let’s get one thing straight, right off the bat: Death Trance is the coolest damn film ever made, period, end of story – next! Take equal parts Mad Max, Ninja Scroll, Trigun, Django and Versus, put them all together and then pour out something that is cooler than all of those things combined, even if those things could somehow combine together to form Voltron. Death Trance has ninjas; it has samurais, it has tongfas that have guns in the handles, and guns that have swords in the handles; it has a sword that is actually a crazy-assed double barreled shot gun, and a sword with an organic pulsing hilt; it has crazy-mohawk-wearing punk rock killers who ride motorcycles; it has a dang creepy little girl; it has a giant coffin that might destroy the world; it has a one-winged angel-demon of death; it has magical doors that appear out of nowhere; it has spider-vampire men; it has zombified black-cloaked monster-men; it has two evil swordswomen twins of death; it has a Goddess of Destruction; it has magic; it has capoeira; it has kung fu; it has gun fu; it has street fighting; it has wrestling; it has wire fu; it has horror; it has comedy, and most of all, it has enough passion, exuberance and energy packed into its ninety-minute running time for a dozen lesser films.

Death Trance is directed by the action director of Versus, Yuji Shimomura, and stars Tak Sakaguchi (Versus), and - wait for it – Kintaro Seagal, yeah that’s right, Mr. Stephen Seagal’s son, who is infinitely cooler than his father ever was. There has been some speculation as to just how much of Versus’ coolness was due to its director Ryuhei Kitamura, and how much of it was because of Mr. Shimomura. After having seen all of Kitamura’s post-Versus work and now Death Trance, I too have my speculations. Not that Kitamura’s other films are bad, heck – some of them are freaking awesome, but they do all seem to lack that crazy amplified, frenetic pacing of Versus, a trait that Death Trance has in spades. And, the best thing is, the narrative never slows down to try to make sense of anything it offers – it demands that the audience just goes with it – don’t ask questions, just shut the heck up and be prepared for a rocking-damn good time.

In the film, Grave (Sakaguchi) is a man on a mission to steal a legendary coffin from the East Temple – a coffin that is said to be able to grant wishes. In order to get his wishes granted, Grave must journey with the coffin through haunted forests, vast desert wastelands, and into a mystical world. Along with the coffin comes the added bonus of a queer little girl, who is always hungry, never talks, and is somehow symbiotically attached to the power inside the traveling tomb of terror. Grave however, is not the only person after this talisman of power. A host of other cutthroat scumbags also want it, and will stop at nothing to get it. Hot on the trail of Grave are a group of wannabe ninjas, a mohawked samurai, two evil twins, and a mysterious woman who just might be some kind of angel with her wings ripped off.

En route to his magical destination, Grave traverses some of the most beautiful and surreal terrain ever filmed. The cinematography is drop-dead absofreakinglutely gorgeous – “Christopher Doyle who?” I might ask. Every single frame of this film is worthy of being burnt onto my retinas, and permanently etched into my minds eye. And, every single shot and sequence is crafted with painstaking attention to composition, balance, and eye-popping detail – the film practically reaches out of the screen with clawed talons and rips the eyeballs out of your skull. Filters of every kind, bloom lighting, and motion blurring are all used to great effect, and yet through it all, the technical wizardry never feels like it is flash simply for the sake of flash – the flashiness is used to further heighten the aesthetics and atmosphere of the strange world captured on screen.

While the film looks awesome, some might complain about the threadbare narrative – a complaint that I might share had the execution been anything but perfect. The plot is simple, and the characters even more so, but what it lacks in narrative complexity, it makes up for in sheer heroic-coolness and pacing to die for. Rather than hit the ground running, pedal to the metal, the film does in fact take its time and comes to head with awesome momentum. The fight scenes themselves start off a bit tame, perhaps even mundane, but each consecutive brawl brings with it a new sense of urgency and escalating excitement. Because the narrative is such a simple quest-story that only moves forward, the audience can only move along with it, and in fact is never given an opportunity to question anything thrown at the screen.

By not complicating the narrative with needless twists and depth, it is easier to accept what is happening based solely on the fantastic nature of the bizarre and timeless world encapsulated by the story. And by not focusing on any one aspect for more time than is needed to make the viewer say “Oh wow. That was cool!” it is able to constantly throw new stuff at the screen all the time. What would be a show stopping and climatic reveal or sequence in a lesser film, is just another moment of awesomeness amongst many in Death Trance.

I have often complained that modern genre cinema lacks passion, and that many modern genre filmmakers lack the personal conviction to trust that their audience will dig the vibe, and they wind up missing the mark completely. Death Trance is not such a film – it hits the mark with an accuracy of an expertly thrown shuriken, and oozes passion from every corner of the screen. It is a film with a fantastic premise, and a fantasy setting that totally commits to the ideas presented and runs with them – with scissors. The film starts and never looks back, as it continuously builds momentum until all hell breaks lose in the final confrontation – and best of all, it ends with the promise of a sequel, a sequel that will actually shed more light on the eternal conflict and add to the world. Death Trance is one film that I hope turns into a franchise, I can’t wait to see more, and I can’t wait to watch it again and again.

[grigri]

Et bien il est beau le gendre idéal... La drogue c'est d'la merde quand même.

Tru Calling ?

La drogue ou le temps ?

[Pouh]

Kretinou -> Ce film est une bouse. J'essaierai de retrouver l'avis que j'avais mis à l'époque.

[Shitao]

Tru Calling ?

Arg je peux pas te dire mec. Me semble que c'était un truc genre FBI porté machin truc ou New-York ché pas quoi.

La drogue ou le temps ?

Héhé c'est vrai que ça commence à dater les Beverly hill et compagnie. Mais j'avais été bien choqué par sa tête quand même:



Un ptit coté Ray Liotta...

[Kretinou]

Ray Liotta...

Absolom 2022!

Merci Pouh, je suis blindé quand même (je suis entrain de me mater superman IV).

[grigri]

Ça devait pas être Tru Calling alors.

Bah ouais, bientôt 40 ans quand même.

[cheveuxlongs]

bo gosse dans tru, en plus son rôle est pas mal du tout.

: gay :

[Shitao]

Sinon je viens de mater "Wolf Creek" et une question me turlupine. Pourquoi, quand on a l'occasion de tuer le type qui vous a séquestré et qui a torturé vos amis, on la laisse passer. Ce fils de pute de psychopathe est au sol chaos par la balle qui lui a égratigné le cou. On peut prendre un truc dur qui fait mal et lui pourrir la tête; prendre son couteau et lui tailler le bout de gras; ou tout simplement recharger un gun correctement. "A nan moi je suis une cruche je vais me contenter de lui mettre deux coups de crosse dans le dos"...Hop une demi-heure de film en plus.

Franchement... Je sais bien que si on tue le méchant rapidement dans les films d'horreur ya plus de film mais bordel un effort qu'en même. On te branle pendant une heure et au moment fatidique on te laisse en plan. Ya vraiment un côté frustrant très pénible dans ce genre de cinéma. Bon je vais pas spoiler comme un sac mais c'est comme "Creep" qui m'avait vraiment accroché jusqu'au moment magique où la victime laisse passer sa chance de buter le psychopate et se met à le regarder avec compassion. C'est vraiment dommage. Même si ça a toujours existé avec tout les slasher et toutes les nanas seins nus qui se sont fait trucidées à la chaine, là c'est différent. C'est moins assumé. Des films comme "La colline a des yeux"(le remake de l'année dernière), "Jeepers Creepers" (là quand on l'occsaion de rouler sur le bad guy on hésite pas...plutôt quatre fois qu'une) évitent ça et sont bien plus couillus.

Bref tout ça pour dire que Wolf Creek c'est pas cool.

[Arngrim]

Au moins dans Death Proof c'est cash.